01.+
I+II.
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Frameworks
full credits in 01 Select Works Archive
01.+
I+II.
Select Works Archive
Frameworks
full credits in 01 Select Works Archive
I specialize in sound — listening, composing, designing, engineering — as an epistemology of emotion and perception. My sound practice and musical direction extend across installation, film, and video game score, as well as recorded albums and live performance. I also collaborate with and represent other composers and producers at Didactic Sound (founder) and Lo Fi Music (partner).
My artistic, academic, and personal interests consider how humans might live regeneratively with one another and within ecosystems. As such, I turn the attentiveness cultivated through my listening and sound practice to the broader (natural) world. This personal focus has led me to periods of study at Harvard College (B.A.) and Harvard’s Graduate School of Design (M.U.P), where my theses included an original predictive model for sectarian conflict and an original theory of regenerative environmental, habitat, and cultural recovery in post-disaster scenarios. I continue to deepen this exploration through ongoing, trans-disciplinary, sound and audio-spatial storytelling in film, video game, installation, and recorded music. I aim to integrate all of my audio work - regardless of format - with emerging research on how sound supports ecosystemic and neurological repair.
Sound-recording and performance features KCRW, NPR, SXSW, Sundance Film Festival, Ideas City (Detroit),
Hybrid installation Harvard University Graduate School of Design, Opus 40 (NY), Grey Area Gallery (SF), MANA Contemporary, Indiana State Museum, Powerhouse Arts
Speaking, facilitating, consulting The New Museum of Contemporary Art (NEW INC), International Documentary Awards Juror, Harvard University Graduate School of Design, Northeastern School of Architecture
Representation Didactic Sound (management) | Lo Fi Music (select catalogue) | Universal Music Group (select catalogue)
Contact | general inquiries didactic@lofimusic.com
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