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00. My work attends to relationships — of all kinds — in space. 

I specialize in sound — listening, composing, designing, engineering — as an epistemology of emotion and perception. My sound practice extends across installation, film, and video game score, as well as recorded albums and live performance. I also collaborate with and represent other composers and producers at Didactic Sound Group (founder) and Lo Fi Music (partner).

My artistic, academic, and personal interests consider how humans might live regeneratively with one another and with ecosystems. As such, I extend the attentiveness cultivated through my sound practice to the broader natural world. This personal focus has led me to periods of study at Harvard College (B.A.) and Harvard’s Graduate School of Design (M.U.P.)  I continue to deepen this exploration through engagement with regenerative land practices and emerging research on how sound might support ecological repair. Across my work, I prioritize understanding how curiosity, attentiveness, and subtle intervention in relational systems — human, sonic, and ecological — might reveal pathways towards flourishing.

Sound-recording and performance features KCRW, NPR, SXSW, Sundance Film Festival, Ideas City (Detroit)

Speaking, workshop, or hybrid installation The New Museum of Contemporary Art (NEW INC), Harvard University Graduate School of Design, Northeastern School of Architecture, Opus 40 (NY), Grey Area Gallery (SF), MANA Contemporary, Indiana State Museum

Representation Didactic Sound Group (management) | Lo Fi Music (select catalogue) | Universal Music Group (select catalogue)

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10.Itunu Prototype
Collaborators: Ngozi Olojede (Creator, Spatial Design, Creative Direction ), Ivy Sole (Song, Performance), Oluwakemi Oritsejafor (Textile Artist, Producer), Jessica Kwok (Curator), Free Trip - Worthless Studios (Producer) 

Contributions:
Sound Design, Mix, “Audio Textile” Remix