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00. My work attends to relationships — of all kinds — in space. 

I specialize in sound — listening, composing, designing, engineering — as an epistemology of emotion and perception. My sound practice and musical direction extend across installation, film, and video game score, as well as recorded albums and live performance. I also collaborate with and represent other composers and producers at Didactic Sound (founder) and Lo Fi Music (partner).

My artistic, academic, and personal interests consider how humans might live regeneratively with one another and within ecosystems. As such, I turn the attentiveness cultivated through my listening and sound practice to the broader (natural) world. This personal focus has led me to periods of study at Harvard College (B.A.) and Harvard’s Graduate School of Design (M.U.P), where my theses included an original predictive model for sectarian conflict and an original theory of regenerative environmental, habitat, and cultural recovery in post-disaster scenarios. I continue to deepen this exploration through ongoing, trans-disciplinary, sound and audio-spatial storytelling in film, video game, installation, and recorded music. I aim to integrate all of my audio work - regardless of format -  with emerging research on how sound supports ecosystemic and neurological repair.

Sound-recording and performance features KCRW, NPR, SXSW, Sundance Film Festival, Ideas City (Detroit), 

Hybrid installation Harvard University Graduate School of Design, Opus 40 (NY), Grey Area Gallery (SF), MANA Contemporary, Indiana State Museum, Powerhouse Arts

Speaking, facilitating, consulting The New Museum of Contemporary Art (NEW INC), International Documentary Awards Juror, Harvard University Graduate School of Design, Northeastern School of Architecture

Representation Didactic Sound (management) | Lo Fi Music (select catalogue) | Universal Music Group (select catalogue)

Contact | general inquiries didactic@lofimusic.com

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Framework II



Toward Transformation: A Regenerative Recovery Approach to Post-Disaster Planning 
ContributionsOriginal framework, Thesis submitted to the Department of Urban Planning and Design, Harvard University Graduate School of Design

Abstract
By weaving together regenerative development and post-disaster recovery frameworks, this thesis develops an original theory of regenerative recovery. This framework guides forward-thinking planners and built environment practitioners to thread the needle between net-positive climate development, resiliency, and cultural transformation.

The key findings anchor the theoretical framework in a real-world scenario. In so doing, the piece addresses challenges of scale, timing, and critical decision-making practices that must be considered when facing acute pressures in a post-disaster context. Ultimately, the work demonstrates that if planners hone these tools for anticipating crises, regenerative cultural transformations can become an active part of a global strategy to combat ongoing climate disaster.

Advisor
Ann Forsyth, Ruth and Frank Stanton Professor of Urban Planning, Harvard University

PublicationForthcoming (2026), adapted article, inquiries welcome